CONCERT REVIEW: TOPS @ THÉÂTRE FAIRMOUNT
In their move from the shuddered La Tulipe to the Fairmount Theatre, TOPS brought with them a sense of hope for the future of music performance in Montreal. The indie rock outfit has been a mainstay of the Montreal scene since the early 2010s, starting with their first album Tender Opposites. TOPS are fresh off a tour with fellow Montreal band Men I Trust and followed up their 2020 album I Feel Alive, with an EP containing two new singles, “Empty Seats” and “Perfected Steps.” They also were featured on a Margo Guryan tribute album alongside artists like Clairo and Empress Of. TOPS have found an even wider audience beyond their Montreal beginnings.
Jahnah Camille’s set before the show provided just the right opener for what was to come. Hailing from Birmingham, Alabama, Camille’s introspective lyrics, with humble guitarist and percussionist accompaniment, greeted the crowd with a fresh voice and welcoming attitude for her first international gig.
With their hometown return, TOPS hit their stride with material from their new album, I Feel Alive with tracks like “Pirouette” and “Colder & Closer” before finishing with some of the more well-loved tracks like “Way to be Loved.” Jane Penny’s silky voice, flanked by Marci’s ethereal keys and David Carriere’s skillful guitar, radiated through the theatre. Penny’s flute made a brief appearance in “Direct Sunlight,” a standout performance of the night leaving the crowd wanting just a bit more flute. With skill and fluidity creating a lush scene for the pensive lyrics, TOPS impressed upon the audience their musical prowess, making for a fantastic night.
TOPS’ performance at the Fairmont cemented their place as part of a Montreal music scene still alive in the midst of venue closures. Truly, the mythical Montreal indie scene of the early 2010s is still alive and evolving, though still in need of community support over and above that of property speculation and residential noise complaints.
