Click on the tags below to dig deeper into the Music Department’s many dusty corners.
CKUT’s general music and jazz charts for the week of July 19th to July 26th.
CKUT’s general music and jazz charts for the week of July 13th to July 19th.
CKUT’s general music and jazz charts for the week of July 5th to July 13th.
CKUT’s general music and jazz charts for the week of June 28th to July 5th.
CKUT’s general music and jazz charts for the week of June 14h to June 28th.
CKUT’s general music and jazz charts for the week of June 7th to June 14th.
CKUT’s general music and jazz charts for the week of May 31st to June 7th.
Santa Teresa at the Societé Des Arts Technology hosted a three act bill which brought together a multitude of genres for a fun and versatile night.
Ensemble Obiora, Canada’s newest and most diverse classical music ensemble, is preparing for their inaugural concert on August 28th.
Body Break’s debut is a simultaneously cute and deeply pissed-off twenty-minute paean to individual exploration, self-reflection, and finding harmony in dissonance.
Julia Dyck talks with bandmates (and CKUT hosts) Nick Schofield and Stefan Christoff.
Play With the Changes is full of positive affirmations and self-observation, allowing us to witness both her personal and musical growth with each track.
Budda Blaze discusses 20 years of radio experience, beginning when he was a teen in Kahnawake.
CKUT journalist Mariam Salaymeh interviews the rap god LEGEND Tommy Wright III.
The ability for an album to sound so hectic and so controlled at the same time is nothing short of masterful.
Former CKUT Station Manager Pat Dillon-Moore catches up with Jeremy, who is currently a lecturer (reggae in the digital age) at the University of West Indies in Kingston, Jamaica.
This is an amazingly versatile album, that can be perceived as complex or as simple as the listener wants, and serves as a virtuous introduction to this genre.
A relaxed evening with hearts warmed by great music and charming band members.
As I entered the Fairmount this past Monday to catch the end of Hanna Benn, the already substantial crowd was a clear indicator of the magnetic power and intrigue of ambiguity.
Last Sunday, Theatre Plaza hosted an ode to DIY music with three distinct artists demonstrating synth-laden electronic, good ol’ rock, and a final act that combined the two