Blk Music / Blk Montreal | CBMA x CKUT Takeover

This past week was a milestone for CKUT as we welcomed Phil Vassel and Donna McCurvin from the Canada Black Music Archives and Mark Campbell from U of T's Afrosonic Innovation Lab to the airwaves for deep dives in to Montreal's rich Black music history- much of which CKUT has been at the nexus of for the past 4 decades.

More than a broadcast, The Takeover: Black Music / Black Montreal is an act of cultural preservation, research, and documentation. It is a rallying call to reclaim the narratives of Black musical contributions that have been too often left out of Canada’s official stories and music archives.

From August 21–24, The Takeover shined a spotlight on significant artists, DJs, promoters, and influencers who played leading roles in shaping Montreal’s Black and Caribbean Canadian cultural identity.

The event featured nearly 15 hours of original programming, tracing the long gaze of Montreal’s Black musical history, from jazz rooted in African diasporic traditions, through waves of Caribbean migration, to the explosive innovations of Reggae, Dancehall, Hip-Hop, Kompa, Soca, Afrobeat, and beyond.

Big thanks to CKUT hosts Roger Moore, Butcher T, Raymond Laurent, Howard “Stretch” Carr, Pat Dillon-Moore, Wayne the Angel, and DJ Storme for welcoming all our guests.

 

 

(Above, from front to back – Mark Campbell (CBMA), Phil Vassell (Afrosonics Innovation Lab), Donna McCurvin (CBMA), and CKUT’s very own Butcher T.

 

Scroll down to see more photos from our live broadcasts and listen to the radio episodes.

 

Canada’s longest running reggae program kicks off the Takeover with two hours of Black music history in Montreal with local superstar Jah Cutta, Montreal reggae radio icon Janice (JD) Dayle, Virgo soundsystem originator Johnny Black and current host of the program, DJ Roger Moore.

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Butcher T, Phil Vassel, and Mark Campbell sit down for a dive deep into Montreal Black music history, featuring special guests guitarist Kat Dyson (Prince, George Clinton and the P-Funk AllStars, Bo Diddley, BB King, Chaka Khan, Stevie Wonder…), radio pioneer Mike Williams, and Montreal rap pioneer Blondie B.

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Interviews with the legendary Haitian venue owner David Torné, pianist David Bontemps, and GRAMMY-winning Montreal musician Fitz Pageot.

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Listen back to three hours of Montreal Black music history reuniting Stretch and his DJ/partner the legendary Butcher T. Featuring interviews with Clement Davis (Jamdown Productions), and local reggae star Vernon Maytone.

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Longtime CKUT d.j. Andy Williams links up with Mike Mission (Masters at Work), Phil Vassel (Canada Black Music Archives), Mark Campbell (Afrosonics Lab), ZipLoks + Manchilde (Butta Babees) to talk all things Black music in Montreal, with a focus on the underground Hip-Hop scenes of the 90s and 00s.

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Famed historian, author, and archivist Dr. Dorothy Williams speaks with Pat Dillon-Moore and Phil Vassel (Canadian Black Music Archives) about the role music played in the tapestry of Black cultural history in Montreal. Jazz artist Ranee Lee joins by telephone.

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About the Canada Black Music Archives (CBMA)

The CBMA is dedicated to preserving, documenting, and sharing the legacies of Black music and musicians in Canada. By building archives, hosting community-based activations, and collaborating with scholars and artists, CBMA works to restore and center the voices and contributions of Black cultural workers across genres and generations.

“We are here to ensure that the true architects of Canadian music—many of them Black and Indigenous—are remembered, studied, and celebrated,” says Phil Vassell. “This is history that belongs to the people, not the margins.”

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About CKUT Radio

FM licenced since 1987 at 90.3 FM, the 24-hour alternative station since it’s inception has been home to Black music, activism and cultural expression since its inception. Programming is volunteer led and spread out through the grid and consists of both spoken word and music content.

About Mark V. Campbell and the Afrosonic Innovation Lab at the University of Toronto

Associate Professor Mark V. Campbell has been a member of the Faculty of Music and the Department of Arts, Culture & Media at the University of Toronto since 2019.  He teaches courses on Black popular musics, remix and DJ Cultures and developed his lab in 2021. The Afrosonic Innovation Lab is a team of artists, creatives, and scholars actively engaged in the making of music, sound experimentation, and musicological analysis. They actively seek and cultivate projects globally which involve research creation, performance, publication, field research, and curation. While based in Toronto, the Lab works across a number of sites in Canada and internationally.