Our evolving world continues to discover new scientific ways on how to better the lifestyles of our human kind. However, there is one versatile material that can be the end of what we know as our Earth. With continuous hazard waste, environmental crisis, and pollution, microplastics are slowly inhabiting our bodies. Director Ben Addelman and co-director and science journalist Ziya Tong’s “Plastic People: The Hidden Crisis of Microplastics” emphasizes the current evolution of microplastics slowly taking over our society, and terrifyingly enough, the very bodies we inhabit.
“Recomposée” confronts the complexities of biracial identity and how the Self can be found by accepting, but more importantly, confronting the past.
In an era where technology is rapidly taking over, Valerio Jalongo’s “Wider Than The Sky” explores how artificial intelligence impacts art, defines our political movement, and how our consciousness is the only human defense we have left to our humankind.
Haifaa Al Mansour’s “Unidentified” is a film that focuses on the hunt for justice from the lenses of an oppressed woman looking for her own truth in a world built to silence her. [CONTAINS SPOILERS]
On Friday May 29, we had the pleasure to screen Etant Dupain’s film The Fight For Haiti – a documentary that emphasizes on the country’s corruption, PetroCaribe, and tainted politicians alongside stories of inescapable crime amongst the community.
Canadian artist Jennifer Alleyn’s 2026 film “Kairos” premiered on April 30, 2026 at the 44th Rendez-vous Quebéc Cinema and served as the closing film of the festival. In this review, we explore the impact of listening to the stories of the unseen people in contemporary Montreal society.
Spoken Word Intern Adrienne reviews Shelby Thevenot’s “Late in Life Lesbian” at the 2024 Montreal Fringe Fest.