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An endless, restless, masterful collage of shiny and symphonic instrumentalism and daringly ambitious storytelling.
Check out an audio collage celebrating the talents of DJs, musicians and lyricists whose output shaped a sound peculiar to the cultural crossroads of Montreal.
Alex is joined by sound artist, noise head, sound healing practitioner, author and all round chiller C Lavender in the CKUT broadcast studio.
Mutek Montreal’s takeover of The Montreal Sessions continued with a live show featuring Ellxandra, France Jobin, NSDOS, Lola Baraldi, and Sarah-Eve Tousignant.
CKUT was on hand to help with tech stuff at Cabot Square for a performance by Inuvialuit /Chipweyan artist Nina Segalowitz.
Santa Teresa at the Societé Des Arts Technology hosted a three act bill which brought together a multitude of genres for a fun and versatile night.
Montreal-based composer/producer Chris d’Eon hosts The Montreal Sessions November 30th.
Ensemble Obiora, Canada’s newest and most diverse classical music ensemble, is preparing for their inaugural concert on August 28th.
Body Break’s debut is a simultaneously cute and deeply pissed-off twenty-minute paean to individual exploration, self-reflection, and finding harmony in dissonance.
Julia Dyck talks with bandmates (and CKUT hosts) Nick Schofield and Stefan Christoff.
Play With the Changes is full of positive affirmations and self-observation, allowing us to witness both her personal and musical growth with each track.
Budda Blaze discusses 20 years of radio experience, beginning when he was a teen in Kahnawake.
A two hour discussion on the history of hip hop from early 80s to now.
CKUT journalist Mariam Salaymeh interviews the rap god LEGEND Tommy Wright III.
The ability for an album to sound so hectic and so controlled at the same time is nothing short of masterful.
Former CKUT Station Manager Pat Dillon-Moore catches up with Jeremy, who is currently a lecturer (reggae in the digital age) at the University of West Indies in Kingston, Jamaica.
This is an amazingly versatile album, that can be perceived as complex or as simple as the listener wants, and serves as a virtuous introduction to this genre.
A relaxed evening with hearts warmed by great music and charming band members.
As I entered the Fairmount this past Monday to catch the end of Hanna Benn, the already substantial crowd was a clear indicator of the magnetic power and intrigue of ambiguity.