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Body Break’s debut is a simultaneously cute and deeply pissed-off twenty-minute paean to individual exploration, self-reflection, and finding harmony in dissonance.
Julia Dyck talks with bandmates (and CKUT hosts) Nick Schofield and Stefan Christoff.
Play With the Changes is full of positive affirmations and self-observation, allowing us to witness both her personal and musical growth with each track.
Budda Blaze discusses 20 years of radio experience, beginning when he was a teen in Kahnawake.
A two hour discussion on the history of hip hop from early 80s to now.
CKUT journalist Mariam Salaymeh interviews the rap god LEGEND Tommy Wright III.
The ability for an album to sound so hectic and so controlled at the same time is nothing short of masterful.
Former CKUT Station Manager Pat Dillon-Moore catches up with Jeremy, who is currently a lecturer (reggae in the digital age) at the University of West Indies in Kingston, Jamaica.
This is an amazingly versatile album, that can be perceived as complex or as simple as the listener wants, and serves as a virtuous introduction to this genre.
A relaxed evening with hearts warmed by great music and charming band members.
As I entered the Fairmount this past Monday to catch the end of Hanna Benn, the already substantial crowd was a clear indicator of the magnetic power and intrigue of ambiguity.
Last Sunday, Theatre Plaza hosted an ode to DIY music with three distinct artists demonstrating synth-laden electronic, good ol’ rock, and a final act that combined the two
Tamayugé is Tamara Filyavich (electronics – and former CKUT Arts & Culture Coordinator) and Maya Kuroki (vocals).
I went to Casa del Popolo this past week to catch the stacked bill consisting of Mal Devisa along with locals Skin Tone and Joni Void.
La Louma makes complex pop music sound effortless, and combines her classical training, her DIY punk ethos, and pop sensibilities to create an album confident in its clashes.
If you weren’t dancing and singing along at the Alvvays concert on Friday, you were missing the entire point.
If people are complaining about the lack of “old-school” music in the modern day, then it’s clear they have not heard about Sharon Jones & The Dap-Kings.